The Masque Of The Red Death Essay

The Masque Of The Red Death Essay-48
Black/Ebony – The seventh room was "closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue" (146).This seventh room contains "no light of any kind" and represents the darkness of death. Upon hearing its chimes the guests were reminded of death: "the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation" (147).The seventh apartment was closely shrouded in black velvet…

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Regardless of wealth, social position, or popularity, death arrives as an uninvited guest. Prospero's inviting only wealthy knights and ladies to his castle at the expense of peasants and commoners represents the socioeconomic divide between landowners and peasants that existed during the feudalistic period.

It is not coincidental that the Black Death, which reduced the number of workers, led to a demand for labor and played an important role in ending feudalism in Europe.

The Red Death symbolizes the inevitability of death.

Although there is no specific disease with the exact symptoms described in the story, critics believe the disease's description has elements of tuberculosis, a disease which killed many of those close to Poe.

The Ebony Clock is a constant reminder of death and symbolizes the inevitability of it. The Masqueraders symbolize all humans and gives creedence to the interpretation that the seven rooms represent the seven ages of man (covered further in the next section).

The revelers could neither stop its pendulum from swinging nor could they prevent its ominous tones from dampering their enthusiasm. Colors play an important role in this story: Red – The most obvious color symbolism in "The Masque of the Red Death" is in its title. The gruesome description of the Red Death gives the color a ghastly connotation, especially in light of the red window panes contained in the death room at the far western end of the imperial suite.

Last scene of all, / That ends this strange eventful history, / Is second childishness and mere oblivion, / Sans teeth, sans eyes, sans taste, sans everything." (II, vii, 139-66).

Many consider "The Masque of the Red Death" an allegory.

That at the eastern extremity was hung, for example, in blue-and vividly blue went its windows.

The second chamber was purple in its ornaments and tapestries, and here the panes were purple.

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