This arrangement not only implies it is time to close the curtain of the Dude’s story but is also time for the audience to finally get to know more about Walter’s underlying obsession with him stepping up the stage to answer and satisfy the audience’s curiosity towards his bitterness past.
The prop Walter held during this scene, a Folgers roasted-coffee-powder can, also resembles a milk-powder can that acts as a metaphor for birth or new life, indicating the end of this phase of their lives but stepping into another phase.
The Big Lebowski (1998) by the Coen Brothers is no doubt a comedy film about friendships between three bowling buddies with differing personalities who met and stuck together as friends by choice in Los Angeles when the U. There is a cleverly placed contrast between violence, kidnapping, femme fatales and other dark elements that do not really go with the sunny, carefree impression of L. The ending scene of The Big Lebowski where the Dude and Walter scattered Donny’s ashes pleasantly reflected what seems to be delicate but actually strong bonds of relationships between the three main characters.
The Coen Brothers managed to capture the spirit of friendship bonding, conflicts, characters’ internal struggles as well as personal desires with exceptional cinematography and mise-en-scene through a plot that went from western to Film Noir. Such metaphorically structured contrasts along with well-constructed dialogues between three characters from varying backgrounds bring out the contradictory nature of how the Dude (Jeff Bridges), a bearded, unemployed long-haired hippie who did not care much about this world that lived in a dressing gown met his two best friends Walter Sobchak (John Goodman), a Vietnam vet who could not move on from the war period and Donny Kerabatsos (Steve Buscemi), a bland character that got ignored most of the time, who all lived with the shadow of intergeneration give-and-take hovering yet still managed to stay committed to their friendships even when they have their own burdens to deal with in life.
Before scattering Donny’s ashes, the dialogue from Walter’s eulogy where he talked a little about Donny’s bland life but then switched to the subject about his lost companions during the Vietnam War at Hill 365 which he mentioned countless times before in the film shows that Walter was still not over his post-traumatic syndrome. Donny, who loved bowling.’ The reason why the director placed this line in the eulogy is to show how Walter considered this an opportunity to a closure of years and years wasted in memories.
‘He died – he died as so many young men of his generation before his time. As you took so many bright flowering young men at Khe Sanh, at Langdok, at Hill 364! The Coen Brothers put a vivid, living proof of Walter being stuck in the past on screen via his costume throughout the movie with his trademark safari vest, amber lens aviator sunglasses and the military dog tag that he always kept close in the film.
In The Big Lebowski, there are a flood of foul language usage with ‘Fuck it! With the Dude accusing Walter for considering everything a travesty, asking ‘What the fuck does anything have to do with Vietnam?
’ madly and Walter apologizing for the first time throughout the whole movie indicates the slightly changed relationship due to the loss of a dearest common friend.
Mike Preston Lisa Hemminger Art is Film 26 February 2010 “All the Dude ever wanted was his rug back” To the casual viewer The Big Lebowski, a 1998 film written by film maker brothers Ethan and Joel Coen and directed by Joel, would appear to be a comedy rip off of the 1940’s Los Angeles detective film The Big Sleep by Howard Hawks.
It features a hippie dropout from the seventies named “the Dude” (Jeff Bridges) who gets caught up with his bowler buddies Walter (John Goodman) and Donny (Steve Buscemi) in a case of mistaken identity and a search for a presumed kidnap victim.