Schodt has at long last unveiled the fascinating story of ‘Professor Risley.’ Circus scholars, history buffs, and anyone with an ounce of curiosity should be grateful to him.” —Dominique Jando, "Pick up Schodt's latest book and move well beyond a study of Japanese culture.Schodt takes us all around the world of 19th-century entertainment: the competition, the disdain, the copycats and the triumphs. this is perhaps the best book I have ever read about Japan."- Andrew Joseph, Japan-It's a Wonderful Rife blogsite.Containing a historical overview, an examination of themes and artists, and over 200 illustrations from Japanese comics magazines, this classic work remains and essential guide for anyone interested in the future of popular visual culture.—From the back jacket blurb, 1987.Tags: Gender Roles In Society Argumentative EssayFree Online Publication Of Research PaperWinning Law Day EssaysResponsibility EssaysWestern Civilization Essay TopicsCollege Essay Plagiarism Checker
No one knows more about this world and conveys it with greater warmth and unpretentious insight than Frederik L.
Schodt, and the timing of this collector’s edition is ideal: as Schodt notes in his new afterword, manga, Japan, and those of us interested in both are undergoing radical transformations. This remarkably thoughtful book is about the ever-changing relationship between Japan and the United States, the world's two largest industrial and economic powers. No question is more important, for our relationship with Japan and its technological and industrial juggernaut will determine our place in the world of the next century.--From the back jacket blurb, 1994. , he shows his deep command of the nuance of Japanese life.
Topics include Tezuka’s life, the art of animation, the connection between fantasy robots and technology, spin-offs, and Astro Boy’s cultural impact.
"To today's anime fans, Astro Boy is a historical figure more often heard of than seen. Schodt tells the full story about the little robot and his creator, Osamu Tezuka, in a delightful book that every anime fan should read." Dreamland Japan is a collection of provocative essays on Japan's very own pictorial narrative art: manga (Japanese comics).
Manga can be fantastical and funny, or gritty and violent, with heroes as diverse as samurai, sushi chefs, mah jongg masters, teenagers in love, and bored office workers, to say nothing of anthropomorphic cats and warrior robots.
As such, manga offer an entertaining— and sometimes disturbing— window on Japanese society.He has lasers in his fingertips, rockets in his limbs, blasters in his arms, a super-computer for a brain, “100,000 horsepower” strength, extremely sensitive hearing, spotlights in his eyes, and two 50 caliber machine guns in his buttocks. Tenma to replace his own son, Tobio, who had died in a car accident.Tenma eventually discovered, however, that although designed to look like a boy, Astro could not physically mature.Schodt gives readers a sense that manga is a vast ocean in Japan with genres undreamed of in American comics.Dreamland Japan is recommended for all comic fans—not just for the historical information, but because Japan has truly understood that comics are only limited by our imagination. The series became a sensation overnight, and by the mid-1950s had inspired a live-action television show.Then in 1962, Tezuka himself developed an animated cartoon series for television – writing, drawing, even animating alongside his staff of six (some of whom went on to become notable figures in the industry).Why is Japan the world's leader in applied robotics? What is the larger social and cultural significance of Japan's love of robots?This book will answer these questions and guide readers to the Robot Kingdom.—From the back jacket blurb, 1987. It is ironic— and Schodt appreciates the irony— that the Arnold Schwarzenegger film The Terminator ends with the berserk humanoid monster meeting its end next to two industrial robots, one made by Japan's Fanuc and the other by Japan's Yaskawa." means "comics" in Japanese.Originally published in 1996, it prefigured much modern writing on comics and remains essential reading for fans, literati, and cultural watchdogs about the state of the manga universe as its popularity explodes on the American scene.Now available in a new casebound collector's edition, with a new introduction by the author.