Essays On Because I Could Not Stop For

Essays On Because I Could Not Stop For-45
This view makes obvious sense, because if death means the end of consciousness and experience, then it is only logical to want to get the most out of life as possible, effectively "getting one's money's worth," as much as that metaphor is applicable to human existence.

This view makes obvious sense, because if death means the end of consciousness and experience, then it is only logical to want to get the most out of life as possible, effectively "getting one's money's worth," as much as that metaphor is applicable to human existence.

Humans have largely reacted to this fact in one of two ways, and although they represent different tacks, they are not mutually exclusive (which shall be seen when discussing Thomas and Dickinson in greater detail).

On the one hand, the finality of death and the "meaninglessness" that follows it has encouraged people to hold it off for as long as possible, attempting to prolong life and thus wring as much meaning out of it as possible before the body shuts down and the internal narrative that is consciousness disappears.

Human activity is still contrasted against the movements of nature, but in this case the contrast is not a negative one; in other words, the indifference of nature actual highlights the meaning of human action. In order to prove his point, and convince his father to fight for his life, Thomas provides various examples of men from all walks of life, who regardless of their past fought to live Thomas-Dickinson Perspectives of Death "Do Not Go Gentle Into That Good Night" is one of Dylan Thomas's most recognized poems.

As the narrator is riding with Death "And Immortality," their carriage passes a school with children playing, before they move on to "the Fields of Gazing Grain" and "the Setting Sun." Obviously the playing children serve as a dramatic counterpoint to the passage into death, but arguably more important is the way Death's carriage moves from the children to fields of grain, and finally to the setting sun. In the poem, he urges his father to fight against death even though it is something that everyone must at some point in his or her lives have to accept.

As the title suggests, Thomas' poem is a vocal entreaty to struggle for every bit of life in the face of impermanence, while Dickinson's poem takes a positively lackadaisical approach to the concept of death, viewing it as a transition into immortality rather than a fall into obscurity and darkness.

However, despite their nearly oppositional statements regarding death, one can actually view the two poems as a synthesis of humanity's own oppositional and sometimes contradictory views regarding death.

Although at first glance it might appear as if the narrator and the poem are retreating away from human activity so that it fades into nothingness, the opposite is actually the case, because the poem seems to value human activity and its aftermath more than anything else, even the movements of nature. On the other hand, Emily Dickinson, in "Because I could not stop for Death," accepts death as a natural part of Death and Dying in "Do Not Go Gentle Into That Good Night" and "Because I Could Not Stop for Death" Death is a common theme in poetry and has been written about and personified throughout history.

Rather than minimizing human action, the process of moving from the children to the setting sun centralizes it, because the movement closer to death is actually a movement back towards nature. Among some of the most recognizable poems that deal with the subject are "Do Not Go Gentle Into That Good Night," by Dylan Thomas (1951), and "Because I Could Not Stop for Death," by Emily Dickinson Thomas/Updike Compare/Contrast The Fight for Life in Dylan Thomas' "Do not go gentle into that good night" and John Updike's "Dog's Death" Death has proven to be an inspiration for many poets and has been written about throughout history.

Furthermore, because death is the event which has not happened yet, and all evidence indicates that everything that makes up a person ends with death and the shutdown of the human body (such as memory and personality), this event is viewed with extra apprehension, mystery, and fear.

Even if there is some sort of afterlife, the living have no access to it, and so for all intents and purposes death means the end of the story, at least for the person living it.

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